Incarceration and Death: The Poetry of Vasyl' Stus, 1997 (useless french)

Incarceration and Death: The Poetry of Vasyl' Stus

Natalia Burianyk's PhD at University of Alberta, 1997

Viktor Zaretsky, "Stous lisant Rilke", 1971

Among other interesting things explored in the study :

the influence of Buddhism on Stus' poetry.

This work explores the influence incarceration had on the poet's themes, motifs, and images; it traces some of the literary influences, and identifies the role of existentialism and Buddhisrn in both his life and writing. The dissertation places Stus in a context of prison writing in general, showing how his themes of life and death, love, space and time resonate with writers and philosophers of different periods and cultures. 

[Diasporiana.org.ua / pdf]

Table of Contents :

(Useless french)

小绿人 (格鲁乌)

A propos des ruines passées et des ruines à venir

(useless french)

From Tychyna to Neborak

useless french

From Pavlo Tychyna to Viktor Neborak, a page of

The Princeton Handbook of 

World Poetries

Roland Greene & Stephen Cushman 

Princeton & Oxford, 2016, p. 564.

Vassyl Stous à Helsinki, le 17 octobre 2015

(useless french)

On 17 October, 2015, the literature and music event dedicated to the famous Ukrainian poet Vasyl Stus was organized by the Embassy of Ukraine in Finland, the Association of Ukrainians in Finland & the Association «Mova».

Guests of the event had the possibility to become more familiar with masterpieces of Vasyl Stus: poems in Ukrainian and translated into Russian, Finnish, English, German languages, and songs.

Mykola Bajan, Tranquilles araignées de l'âme clandestine

  useless french, indeed

En parlant de Juifs oukraïniens, des Juifs et des Oukraïniens, de antisémitisme traditionnel des Oukraïnines et tout ça. Va paraître dans les jours qui viennent "Quiet Spiders of the Hidden Soul".

Youry Yanovsky et Mykola Bajan
deux survivants de la Renaissance fusillée

On peut parler d’un miracle : Bajan, Sossioura, Rylsky, Zerov, le génial Tytchyna... peu de littératures européennes peuvent se vanter d’avoir fait surgir une telle pléiade de grands poètes en un laps de temps aussi bref.

Piotr Rawicz, 1981

“Quiet Spiders of the Hidden Soul”

Mykola (Nik) Bazhan’s Early Experimental Poetry

This bilingual Ukrainian-English collection brings together the most interesting experimental works by Mykola (Nik) Bazhan, one of the major Ukrainian poets of the twentieth century. As he moved from futurism to neoclassicism, symbolism to socialist realism, Bazhan consistently displayed a creative approach to theme, versification, and vocabulary. Many poems from his three remarkable early collections (1926, 1927, and 1929) remain unknown to readers, both in Ukraine and the West. Because Bazhan was later forced into the straitjacket of officially sanctioned socialist realism, his early poetry has been neglected. This collection makes these outstanding works available for the first time

Table of Contents

An aquarium in the sea

(useless french)
Printemps des poètes 2020 [14]

An Aquarium in the Sea

The Story of New York Group of Poets

In the middle of ХХ century the Ukrainian cultural elite faced the problem of choice: to escape and save their national identity or assimilate and remain in the Soviet Union. The film tells the story of New York Group of Poets, founded in 1950. Ukrainian poets, who grew up in the English-speaking world, in the middle of XX century are trying to preserve their culture and grow it to the level of world culture. 

An Oleksandr Fraze-Frazenko film

Serhy Jadan, What We Live For, What We Die For

Serhiy Zhadan, What We Live For, What We Die For

 
The United States needs a Zhadan as much as Ukraine does.

Amelia Glaser, Los Angeles Review of Books

Paru en avril, aux Presses universitaires de Yale. Un choix dans l’œuvre poétique de Serhy Jadan depuis les "Ballades sur la guerre et la reconstruction", jusqu'aux recueils récents, "La vie de Marie", "Pourquoi je ne suis pas sur les réseaux sociaux".
 

Traductions en anglais de Virlana Tkacz et Wanda Phipps.

The Margellos World Republic of Letters is dedicated to making literary works from around the globe available in English trough translation. It brings to the English-speaking world the work of leading poets, novelists, essayists, philosopers, and playwrighters from Europe, Latin America, Africa, Asia, and the Middle East to stimulate international discourse and creative exchange.

Useless french.

Vassyl Stous objet de cinéma

Useless french

"L'Interdit", 2019, n'est pas le premier biopic consacré à Vassyl Stous, mais c'est le premier long métrage, et comme il est désormais disponible sur YouTube, chacun pourra juger par lui-même.

Film étrillé à sa sortie dans Geek Journal par l'indispensable Tayler Andersen :

La lirica di Vasyl' Stus, 2019 (useless french)

Alessandro Achilli

La lirica di Vasyl' Stus

Modernismo e intertestualità poetica nell'Ucraina del secondo Novecento

Come ha scritto di recente Marko Pavlyshyn, uno dei pochi critici a essersi occupato dell’opera stusiana al di fuori dell’Ucraina, “how Stus might be viewed relative to Rilke or Pasternak was of less interest than what he could teach the inhabitants of post-Soviet Ukraine through the example of his life”. Questo studio cercherà di colmare almeno in parte la lacuna correttamente e provocatoriamente evidenziata da Pavlyshyn 

(Introduzione)

This book explores the poetry of Vasyl’ Stus (1938-1985), a major Ukrainian writer and intellectual of the second half of the 20th century. The volume aims to present the evolution of Stus’ poetic oeuvre from his beginnings in the late 1950s up to his mature poetry of the 1970s.

Poetry against the System : Vasyl Stus

(useless french)

Poetry Against the System: Vasyl Stus

Ukrainian Institute London

79 Holland Park, London, W11, United Kingdom

Date and Time

Thu, 12 March 2020
19:00 – 20:30 GMT

Vassyl Stous, traductions espagnoles

Vasyl Stus 

 (1938-1985)

Traducción de Iury Lech

¡Cómo se desea -morir!...

¡Cómo se desea —morir!

Para no callar,

ni con el grito clamar,

el último astro,

la venteada madrugada.

Póstumo detenerse

del glaseado día;

aguardar —y morir.

Y desde entonces no pensar en el regreso:

en lo profundo del silencio

en donde la quietud adormece,

en donde la melodía oprime

al corazón esclavizado:

ni siquiera es posible respirar—

¡cómo se desea morir!

Se desvanecieron los sueños,

las ideas se tornaron inservibles,

todos los gozos —cayeron abatidos

todos los colores —se desvanecieron.

Insaciable, como el claro umbroso en un bosque,

es la trayectoria vertical.

Pero no se podrá escalarla

ni a pie, ni con la vista,

ni con el movimiento, ni con el espíritu,

ni con el cuerpo desmembrado,

ni con la garganta atenazada.

Así que imploro, Señor,

deja que me eleve,

porque la muerte es lo que deseo.

Cómo es posible continuar;

esta espera opresora,

el abismo sin fondo,

esta cima dolorosa,

el feroz tormento.

¡Permíteme que caiga en un sueño eterno!

¡Extraviarse, olvidar,

descender hacia el grito,

desintegrarse en fragmentos,

ser esparcido al viento,

perderse en el tiempo

y, arrancándome el alma,

naufragar en el anonimato!

Al otro lado de la colina del destino

una tormenta de nieve aplaca la furia,

y las manos maternas

—teñidas de amanecer—

alzadas hacia el cielo

buscan a tientas

al espectro primogénito

prisionero para unos ojos abstraídos,

unas espaldas inclinadas por la resignación.

¡Cómo se desea —morir!

Desplazarse imperceptiblemente,

más allá de la orilla ilusoria,

más allá del horizonte de lo posible,

más allá del muro de las humillaciones,

más allá de las rejas enloquecedoras,

allende el helor —de la clausura.

Roman Babowal, Poet and physician

tradutori and ooporiadnyk

Dans les traductions de Alexey Rissovany